Cowboys & Kiwis - AKA Beauty & The Bodice

By Bennett Owen

The film is called ‘Good For Nothing’ and will go down as the first western movie ever filmed in New Zealand, which I guess is good for something.  It’s been doing the rounds of the film festivals to generally positive reviews and will see limited US release this spring.

Credit: GoodforNothingMovieFrom what I’ve seen of it, the scenery alone might be worth the price of admission…

Credit: GoodforNothingMovieThe title takes on a fully new meaning as the film unfolds.  Basically it tells the story of a young British lady kidnapped by a merciless desperado…who in turn is ‘humbled’ in his efforts to make a woman of the lass.  

The Hollywood Reporter describes the film thusly: “Imagine a Kiwi Spaghetti Western filtered through the offbeat sensibilities of early Sam Raimi or the Coen brothers.”

Director Mike Wallis and his fiancée, co- producer and female lead Inge Rademeyer, funded the shoot.

Credit: GoodforNothingMovie"We were going to buy a house but instead we made a movie," Rademeyer said.

This is also Rademeyer’s film acting debut and US critics have given her positive reviews.

Five years in the making, the very fact that this project is seeing the light of day is a tribute to the grit and determination of its makers and their utter defiance of the odds.   The pioneer spirit, alive and well down under.

When Legend Becomes Fact, Print the Legend

By Bennett Owen

Credit: gonemovies.comI know, I know, I’ve said it about ‘Lonesome Dove’ and ‘High Plains Drifter’ and ‘Red River’ and ‘Magnificent Seven’ and both versions of 3:10 to Yuma … hell I probably even said it about ‘Silvarado’. But after yet another viewing last night I am now unequivocally stating that ‘The Man Who Shot Liberty Valance’ truly is the best western movie of them all.  Take a look:

There is so much going on in this movie and at so many levels it’s hard to keep track of it all.  At the very least it features the colossal personas of John Wayne, James Stewart and the incomparable Lee Marvin. 

Credit: 1001afilmodysseyMarvin as Liberty Valance embodies one of the most malevolent and wholly irredeemable creatures in motion pictures, a loathsome miscreant who thrives on fear and violence. 

Credit: cinema.deHe finds a pigeon in Stewart’s Rance Stoddard, an adventurous, idealistic eastern lawyer seeking his fortune out west … and bringing with him notions of civilization that the town of Shinebone is nowhere near ready for. Feisty and short-tempered in his own right, Rance is by no means a coward … yet what he fears most is the quick erosion of his principles.

Credit: imbd.com © 1962 ParamountAnd of course, John Wayne. As Tom Doniphon, he’s the pioneer archetype, a man for whom the law is a matter of steady nerves and a quick draw.  And yet with his essential decency, he and those like him pave the way for justice and democratic rule.

But at the bottom of this story remains one essential truth. The action here is motivated less by good and evil…less by the endeavor to bring a fearsome criminal to justice and a measure of order to a lawless land ... than by a jealousy-fueled rivalry for a woman’s love.

Credit: cinegeekRealizing he has lost her heart, Wayne’s Doniphon loses his own too, bitter and increasingly self-destructive … until at the very end, he settles things the only way he sees fit … and in doing so saves the life of the very man who robbed him of his true love.   The scene was heart-stopping when I was 10 years old … it was heart-stopping last night.

The admission is also a selfless act and yet we all know their shared secret will haunt Stoddard for the rest of his life. For he’ll be living a lie, a legend, not for his legal brilliance but as, “The Man Who Shot Liberty Valance.”

By the way, this was both Wayne’s first picture with James Stewart and his last Western with legendary director John Ford.

When legend becomes fact print the legend. So there you have it. The best Western movie of all time. At least until my next viewing of “The Professionals.”

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