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Entries in Impressions of the West (4)

Sunday
Aug072011

Impressions of the West: Jack Kerouac

Jack Kerouac. Credit: personalshoplifter

In On the Road, Jack Kerouac chronicles the fantastic journeys of a group of friends as they crisscross the American continent. The pace is breakneck, the story a celebration of being vitally aware – of all of the thoughts and sensations and emotions that are the sum total of living in the 20th century. On one leg of their trip, Jack and friends end up staying in an old miner’s shack in Central City, Colorado – a town that had once seen a silver rush so vast that it had been called the Richest Square Mile in the World. One evening Jack and his friend Rawlins go bar hopping, when they meet their friend Major:

Major staggered up a dark street. ‘What the hell’s the matter? Any fights? Just call on me.’ Great laughter rang from all sides. I wondered what the Spirit of the Mountain was thinking, and looked up and saw jackpines in the moon, and saw ghosts of old miners, and wondered about it. In the whole eastern dark wall of the Divide this night there was silence and the whisper of the wind, except in the ravine where we roared; and on the other side of the Divide was the great Western Slope, and the big plateau that went to Steamboat Springs, and dropped, and led you to the western Colorado desert and the Utah desert; all in darkness now as we fumed and screamed in our mountain nook, mad drunken Americans in the mighty land. We were on the roof of America and all we could do was yell, I guess – across the night, eastward over the Plains, where somewhere an old man with white hair was probably walking toward us with the Word, and would arrive any minute and make us silent.

 - Jack Kerouac, On the Road, p. 55

Credit: unrinsight.com

Panorama of Central City, circa 1970. Credit: route40.net

Credit: OscarTracker

Wednesday
Jun082011

Impressions of the West: John McPhee

John McPhee. Credit: Office of Communications, Princeton University

In Basin and Range John McPhee describes, in fascinating detail, the formation of the great Basin and Range area covering nearly all of Nevada, and significant portions of Utah, California, Arizona and New Mexico. In essence, the Basin and Range region was formed by the stretching of the earth’s crust (up to 100% of its original width). As the crust pulled apart, great faults were created. Along these faults, which generally run north-south because the stretching was east-west, mountains were uplifted and valleys were down-dropped, producing the alternating mountain-valley pattern that is distinctive of the Basin and Range region.

Credit: mrlaugh

Credit: MiguelVieira

Here’s what McPhee has to say about it:

“Basin. Fault. Range. Basin. Fault. Range. A mile of relief between basin and range. Stillwater Range. Pleasant Valley. Tobin Range. Jersey Valley. Sonoma Range. Pumpernickel Valley. Shoshone Range. Reese River Valley. Pequop Mountains. Steptoe Valley. Ondographic rhythms of the Basin and Range. We are maybe forty miles off the interstate, in the Pleasant Valley basin [in central Nevada], looking up at the Tobin Range. … The Nevada terrain is not corrugated, like the folded Appalachians, like a tubal air mattress, like a rippled potato chip. This is not – in that compressive manner – a ridge-and-valley situation. Each range here is like a warship standing on its own, and the Great Basin is an ocean of loose sediment with these mountain ranges standing in it as if they were members of a fleet without precedent, assembled at Guam to assault Japan.

Credit: Marly Bryant Miller

"Some of the ranges are forty miles long, others a hundred, a hundred and fifty. They point generally north. The basins that separate them – ten and fifteen miles wide – will run on for fifty, a hundred, two hundred and fifty miles with lone, daisy-petalled windmills standing over sage and wild rye. Animals tend to be content with their home ranges and not to venture out across the big dry valleys. ‘Imagine a chipmunk hiking across one of these basins,’ Deffeyes remarks. ‘The faunas in the high ranges here are quite distinct from one to another. Animals are isolated like Darwin’s finches in the Galapagos. These ranges are truly islands.

Credit: brewbooks

"Supreme over all is silence. Discounting the cry of the occasional bird, the wailing of a pack of coyotes, silence – a great spatial silence – is pure in the Basin and Range. It is a soundless immensity with mountains in it.”

Basin and Range from space. Image courtesy of the Image Science & Analysis Laboratory, NASA Johnson Space Center

Sunday
May292011

Impressions of the West: Thomas McGuane

Credit: TomMcGuane.com 

Thomas McGuane’s Keep the Change is the story of Joe Starling, who grew up in Montana and moved to New York to become a successful painter. When he decides to move back to a ranch in Montana (“What made you want to go back to Montana?” “Nothing else seems to be home.” “Is that important?” “It is to me.”), he rediscovers what he loved about the western sky and grass and smell in the air.

“Joe made it a habit to ride through the yearlings every day. They were pretty well scattered out and it always took an entire morning. But he enjoyed saddling his horse in the dark and then to be rolling along as the day broke to count and check the cattle. … The great pleasure came from the grass, traveling through it horseback: the movement of the wind on its surface, the blaze of sunrise across its ocean curves. As the full warmth of the day came on, the land took on a humming vitality of cows and grass and hawks, and antelope receded dimly like something caught in your eye. Joe always rode straight into at least one covey of partridges which roared up around his horse. After the first burst, the little brick and gray chickens cast down onto a hillside and resumed feeding. Joe’s horse watched hard, then went on traveling. Instead of being someplace where he waited for the breeze through a window, Joe had gone to where the breeze came from.”

Thomas McGuane, Keep the Change, pp. 169-170.          

Credit: Christopher Owen

Credit: Christopher Owen

Credit: Christopher Owen

Thomas McGuane was awarded the Center Of the American West’s Wallace Stegner Award in 2009. Here is what the CAW had to say about McGuane:

“With precision, outrageous humor, and clear-eyed candor, you have given us today’s true West, with your disdain of greed and pomposity, your everlasting love of a good stream, a fine horse, and a plain sweep of land, and your passion for simple, productive work, all of which causes you to call cowboys “drunken, wife-beating, snoose-chewing geeks” while winning them over and a great many westerners with your honest high regard for ranch hands and others who do things carefully and right, thereby showing respect for a big-sky place that may yet save itself through honoring its best traditions.”

 

Monday
Apr252011

Impressions of the West: Thomas Pynchon

(Note: For a long while we had a photo at the beginning of this post that had been identified on several sites as Thomas Pynchon. However, a reader recently alerted us to the fact that the photo probably was not of Thomas Pynchon. Consequently, we've removed it. If anyone has a photo that has been verified as being of Pynchon, who is well-known for his desire for privacy, please contact us. Thank you.)

Grand Canyon, Thomas Moran. Credit: PaintingHere.com

‘This is the kind of sunset you hardly see any more, a 19th-century wilderness sunset, a few of which got set down, approximated, on canvas, landscapes of the American West by artists nobody ever heard of, when the land was still free and the eye innocent, and the presence of the Creator much more direct. … of course Empire took its way westward, what other way was there but into those virgin sunsets to penetrate and to foul?”

Gravity’s Rainbow, p. 214.      

Sunset in Yosemite Valley, Albert Bierstadt. Credit: Artchive.com

After the Storm, Gilbert Munger. Credit: The Paintings of Gilbert Munger (Michael D. Schroeder)

Sunset at Black Rock, Paul Fjellboe. Credit: The Springville Museum of Art

Moonrise in the Canyon, Moab, Utah, Birger Sandzen. Credit: Springville Museum of Art

Wingate Cliffs, Ed Mell. Credit: Painters of Utah's Canyons and Deserts